The Scrying Apes of Ignorance
Just what is it about the making of pictures? Endless pondering on the nature of image-making, of the desire and the need to make images, has left me no closer to that mirage despite all the assiduous musing.
From where do images come – for they must have an origin – and how do we make sense of them and, through them, make sense of ourselves?
The images we make are not mirrors – or if they are, they are imperfect ones at best. They reflect those things we cannot clearly behold except by the imperfect process of drawing and painting.
The process is of course inspiration, a will o’ the wisp disguised as a discipline, the elusive resource upon which all depends. By the flickering light of that ignis fatuus masquerading as a profession, the midnight oil of the small hours of the mind, artists the world over sketch, draw, paint… create.
This is CLassiebawn, on the west coast of Ireland. You may ask yourself, why is there a remote castle on the Atlantic fringes in the opening scene of a film concerned with matters relating to the dark heart of aristocratic central Europe? For Classiebawn is no ordinary gothic monolith of the aristocrats. It was the former blood sports lodge for non other than his serene highness of the Grand Duchy of Hesse, prince Louis Francis Albert Victor Nicholas Battenberg , otherwise known as; Eearl Loius Mountbatten. The late cousin of the present queen Elizabeth. When Mountbatten was not playing games with the lives of British and Canadian service men, during the second world war, by sending them on futile suicide missions, or causing the death of millions, nor indeed attempting to overthrow a democraticly ellected British goverment, in order to establish himself as the imperial keiser of the British Empire, Mountbatten partook in the raping of teenage boys. Abducted by a network of orange lodges and freemasons…
This article presents healing rituals from the Bulgarian traditional culture, in which the Mother of God plays the central role. Her image there is very different from her Christian canonical one. One of the differences is that in the healing incantations, the Mother of God is invoked together with God as a couple. Additionally, according to the folk beliefs the Mother of God is a patron of some healers and some of them also claim that she has taught and has been guiding them in the proper doing of the healing rituals. The healing incantations present her as a mistress of the elements, ruler of the forest nymphs called samodivi. She appears on crossroads when she hears the cry of the sick. All these functions and special features bring her closer to the ancient notion of the Great Mother Goddess than to the Mary of the Bible. Together with the verbal part of the rites, this research also focuses the attention on the action code, because they both invoke the hypostasis of the divine presence. Some typological similarities with ancient healing rituals connected with the image of the Mother goddess are thoroughly presented. Their distinguishing elements are studied in-depth. The separate parts of the ritual action for healing are commented on as well. The healing is understood as expelling the impurity, which causes the imbalance and as achieving the harmony in the body and the soul of the sick person. The healing happens with the intervention of the Mother of God and she restores the order of the macrocosm (outside the person) and of the microcosm (inside the person). Besides, as the examples show, the Mother of God remains anonymous. She is invoked only by naming her function to be Mother. In the healing spells she is also invoked as mother, but as mother of everything and everyone; she is omnipresent and watches over everyone, responding immediately when her help is asked for. All these patterns of the Mother of God in Bulgarian healing rituals present her as a hypostasis of the Great Mother Goddess.
In the multicultural west we are told to say Happy Kwanzaa, Happy Hanukkah and Merry Christmas or these days Happy Holidays as to not offend others. Lana tells about the true origins of newcomer holidays such as Kwanzaa and Hanukkah. Where did these holidays originate? Are they original? Why are they also in December, like Christmas? She’ll also talk about the true origins of Christmas, which is entirely borrowed from Yule, the pre-Christian European celebration of the Winter Solstice in the Northern Hemisphere. Kwanzaa, Hanukkah and Christmas are all imposters, culturally appropriating from the ancient European Winter Solstice celebration. Learn about the myth, symbolism and tradition of Yule.
Aqua Terra Ignis et Aer
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